Where are your favourite literary landmarks?

Damn, I fell down the well of online information and it took me a while to climb out.

I’ve got a vase of lilies blooming beside me, the sun is shining on my keyboard and I came across this neat little web project yesterday, courtesy of bookninja, that go me thinking.

Project Bookmark Canada is going to mark the spots across the country that are imagined by writers and then described in their books and poems.

Michael Ondaatje & Toronto mayor David Miller will launch the initiative Thursday, April 23 by installing one of the bookmarks – a permanent marker that describes the book and the passage that references the area. The first bookmark is going in at the Bloor viaduct, which is referenced in Ondaatje’s In the Skin of a Lion.

Its a cool idea. I just finished reading Old City Hall by Robert Rotenberg, which is set in Toronto and makes a point of mentioning Toronto landmarks, and – don’t laugh – I just read the Twilight series, and while it is a bit overwrought, author Stephenie Meyer, does make the Pacific Northwest region one of the central characters in her vampire love story.

Some other books that stand out for me are:

  • Wayne Johnson helped me understand Newfoundland in a far deeper way than any history book with his novel Colony of Unrequited Dreams;
  • Robertson Davies was inspired by Kingston for his Salterton Trilogy, Toronto for the Deptford Trilogy and U of T for his Cornish Trilogy – and I wanted to experience all of them;
  • Stephen Leacock’s Sunshine Sketches of a Little Town is a book I reread and which has sat on my desk, next to my computer since my early days in journalism;
  • Elizabeth Hay took me way up north in Late Nights on Air and of, course,
  • David Adam Richards has captured the poverty of rural New Brunswick in his ongoing study of Miramichi in his novels.

If I were to put up a bookmark in Saint John, I would put it in the deep South End, to mark poet Alden Nowlan’s place in Canadian literature with his piece “Britain Street”.

This is a street at war.
The smallest children
battle with clubs
till the blood comes,
shout ‘fuck you!’
like a rallying cry ––

while mothers shriek
from doorsteps and windows
as though the very names
of their young were curses:

‘Brian! Marlene!
Damn you! God damn you!’

or waddle into the street
to beat their own with switches:
‘I’ll teach you, Brian!
I’ll teach you, God damn you!’

On this street
even the dogs
would rather fight
than eat.

I have lived here nine months
and in all that time
have never once heard
a gentle word spoken.

I like to tell myself
that is only because
gentle words are whispered
and harsh words shouted.

Where would you put a bookmark?

No TweetBacks yet. (Be the first to Tweet this post)
This entry was posted on Sunday, April 19th, 2009 at 10:33 am and is filed under Atlantic Canada, Media & Images, Media and Writing Biz. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

4 comments

The Rimbaud of Québec: Émile Nelligan. First poetry I ever learned by heart:
http://www.youtube.com/watch?v=BdIQ8TCROGw
C’était un grand vaisseau
Taillé dans l’or massif
Ces mats touchait l’azur
Sur des mers inconnues

PS Yay you’re back

April 19th, 2009 at 10:43 am
 No.2 
Giselle:

Hi Lisa,
I agree re: Late Nights on Air. I never had any real interest in the far north until I read her beautiful descriptions and, especially, the attachment she describes between her characters and that place.

I would also nominate the Newfoundland described in both Michael Winter’s This All Happened and (though fewer pages are devoted to it) The Architects are Coming. Also staying with Newfoundland, Wayne Johnston’s The Navigator of New York provides a vivid look at turn of the 20th century life on the Rock. Ditto Colony of Unrequited Dreams (albeit a later time).
Finally, Beth Powning’s Edge Seasons is a beautiful, complete work that takes a close look at the rhythms of the wilderness around her home near Sussex, from the smallest bugs to the tallest trees in a way that made me want to move in with her!

April 19th, 2009 at 11:12 am
 No.3 
Gina:

Lisa Lisa,
Of late, I’ve been thinking of Margaret Laurence. For location, I think A Jest of God and The Fire Dwellers stand out for me. Prairies and Vancouver: in my memory, those locations flowed in and out of the interior landscapes…. for that matter, A Bird in the House told me more about Saskatchewan than A Jest of God.

Other older books, Martha Ostenso’s Wild Geese (1925), which was all grim landscapes and sucking bogs etc (and the titular Geese, of course).

Richer’s St Urbain’s Horsemen? A great one for Montreal (As was Duddy).

Finally, for location of late, I reread Donna Morrissey’s Sylvanus Now (which I had loved when it came out) and was blown away by the descriptive prose in that novel – for more that her earlier novels or last book. The flowers and trees and fields of the coast, the small off-shore communities and islands – and the evocation of the sea in all its moods were amazing.

I must admit, I spend lots of time reading material that “takes me home”. Canadian landscape and lit: they are sort of my “last link” home in many ways. Though in writing all that, it sounds a little naff to me – no matter how true.

April 19th, 2009 at 9:11 pm
 No.4 
Lisa:

Thanks girls! These are great suggestions. One that has me thinking about CanLit in general and this project more specifically is this: where’s the funny?
Lately I’ve been reaching for books that lift my spirit rather than ones that make me ponder universal truths.
Paul Quarrington kind of gets me there – although we’re smiling at the observations of unhappy people.
Robertson Davies always – but he’s dead.
Ditto Stephen Leacock.
So who is out there in Can Lit that writes with a light touch?

Any thoughts?

BTW, Tom Robbins has a new book out.

Check it out at Amazon.ca

April 22nd, 2009 at 7:39 am

Leave a reply

Name (*)
Mail (will not be published) (*)
URI
Comment